First cut to final delivery.

Every post-production need, under one roof. Editorial, color, sound, and a certified Dolby Atmos mix stage — built for filmmakers, studios, and directors who care about every frame and every decibel. Work with us in the room in Des Moines, or collaborate remotely from anywhere.

  • Editorial

    • Offline & online editing — for narrative film, documentary, and series work.
    • Collaborative editorial — assembly through fine cut, working directly with directors and producers.
    • Conform & online finishing — to prep your locked cut for color and mix.
    • Motion graphics, titles & credits — built to your film's visual language.
    • Versioning — for trailers, teasers, and platform-specific formats.
  • Color

    • Color grading — in a controlled, calibrated suite — your film's final look, locked with intention.
    • Look development — in collaboration with your director and DP, from naturalistic doc grades to stylized narrative looks.
    • Shot matching & continuity — correction across cameras and formats.
    • HDR & SDR grading — with masters delivered to platform specs.
    • Final finishing — and render-out of graded masters.
  • Sound Post

    • Dialogue editing & cleanup — including noise reduction and production audio repair.
    • ADR recording — in an acoustically isolated, purpose-built ISO room.
    • Sound design & effects editing — to build out your film's sonic world.
    • Foley & custom effects — recorded in house.
    • Music editing & integration — plus guidance on licensed and original score options.
    • Rerecording mixing - blending dialogue, music, and effects into a polished, theater-ready final mix.
  • Dolby Atmos

    • Dolby Atmos mix suite — with 7.1.4 Genelec monitoring — one of the few in the Midwest.
    • Atmos deliverables — for theatrical, streaming, and home entertainment specs.
    • Every version from one master — 7.1, 5.1, stereo, and binaural fold-downs rendered from a single Atmos master, so every platform stays consistent.
    • Accurate translation— a room designed by Russ Berger Design Group, so what you hear in the suite is what your audience hears.
  • Review & Delivery

    • Client review screenings — in a dedicated AV room, before you lock.
    • Quality control — on picture and sound ahead of final output.
    • Final deliverables — packaged to distributor and platform specifications.
    • Versioning & archival — so your masters are ready for wherever the film goes next.